Client: FINSA Woodhttp://www.finsa.es/

Design: ENORME Studio http://enormestudio.es/

Interaction Design:VITAMIN-ARTE https://vitamin-arte.com/

Place: SUPERDESIGN Show.

Superstudio Piú. Via Tortona, 27. Milano 20144.

Date: 9-14 april

Diseño y comisariado: ENORME Studio http://enormestudio.es/

Cliente: MINI España / MINI Hub http://minihub.es/

Madrid Design Festival / http://madriddesignfestival.com/

Colaboradores: construcción CARRSA / energía solar e interactividad CREÁTICA https://www.creatica.ong/ jardinería y paisajismo Greener and the Other Side https://www.greener-ontheotherside.com/

Fotografía: Javier de Paz García https://www.instagram.com/javierdepazgarcia/ // Luis Alda https://www.instagram.com/luisaldaphoto/

Lugar: Plaza de Santa María Soledad Torres Acosta / Madrid

Del 7 al 25 de febrero de 2018.

Nombre de proyecto: Astral Bodies by FINSA
Diseñadores: ENORME Studio + VITAMIN
Página web: enormestudio.es
Cliente: FINSA Wood
Ubicación: Valencia, España
Fecha: 2019
Fotografía: Javier de Paz García

Tuesday the 13th is a day of bad luck. According to the biblical book of Revelation, 666 is the number of the devil. The hieroglyph of the number 4,233 could be interpreted as a young pharaoh being killed. The numbers 4 8 15 16 23 42 are one of the recurring and most important themes of the Lost TV series. With 1 and 4 I draw the face of your portrait ...

Numbers have hidden potential, meaning, continuous interpretations and reinterpretations. For us, 19 is the way to relate 1919 and 2019, the years of inauguration and commemoration of the 100th anniversary of the Communications palace in Madrid, now the building of the City Council.

For the verbena of its 100th birthday, ENORME Studio we have designed all the scenery of the party around tens of 19 that dot the space in different axonometric perspectives ... Rain of 19, totems of 19, tablecloths with kamasutras of 1 and 9 ... 1 and 9 also have a symbolic component in relation to the identity of Madrid, since 91 is the telephone prefix of the city ...

Client: CENTRO CENTRO

Photo: Javier de Paz García

Palacio de Telecomunicaciones , Madrid

+ GH SHS. 12 WALLS. Exposición colectiva de ornamentos arquitectónicos. Veszprém, Hungría. Comisariada por Paradigma Ariadné. Del 18 de octubre al 30 de noviembre. Junto a Architecture Uncomfortable Workshop, Enorme Studio, False Mirror Office, Gyulai Levente, Adam Nathaniel Furman, Andrew Kovacs, MNPL Workshop, Giacomo Pala, Paradigma Ariadné, Space Popular, TREES, Very Good Office

TANDEM

Proceso de Transformación Urbana

Jardines del Arquitecto Ribera - Madrid

Creática / ENORME Studio / PEZestudio.org / TXP Todo X la Praxis

Hacia una autosuficiencia energética en el espacio público

¿Qué ocurriría si un espacio público llegara a ser autosuficiente energéticamente hablando?

¿Y si un espacio público funcionara como laboratorio para la gestión ciudadana de la energía?

Location: Colonia Santa Cecilia. Chihuahua, México.

Developer: ISAD [Instituto de Arquitectura y Diseño de Chihuahua] / www.isad.edu.mx/

Workshop leaders: ENORME Studio / www.enormestudio.es

Local advisors: Miguel Heredia / Juan Castillo

Workshop participants: Alexa Baca / Jesús Córdova / Luisa González / Nancy Guzmán / Arish Lara / Jonathan Olivas / Diana Ortiz / Abril Vázquez / Tania J. Castillo / Ariel Rosas / Jaheel Araiza / Julio Pérez / Denisse Salgado / Jessica Ortega / Danya L. Estrada / Diana Carolina Flores / Karen Araceli / Regina Ramírez / Valeria Pomian

Supporting Associations: Fundación Umbral / Fundación A+bien

Video: ENORME Studio + Horacio Manriquez / Taller del Norte

Photos: ENORME Studio

Partners:

IFEMA Feria de Madrid http://www.ifema.es/Institucional_01/

Barrabés https://www.barrabes.biz/es/

Scenography Design: ENORME Studio https://enormestudio.es

Graphic Design: Boris Rodríguez

THE CUBE Design: Intersection https://www.intheintersection.com

Photography: Javier de Paz García https://www.instagram.com/javierdepazgarcia/?hl=es

Video: Barrabés NEXT

Place: Pabellón 14 IFEMA Feria de Madrid

Date: Del 12 al 14 de junio de 2019.

Client: LA NAVE http://www.lanavemadrid.com/

Collaborators: Camille Bluin / Gianluca Ricciolini / Lorenzo Gili / Iro Papagiannopoulou / Gabriel R. Bozuelos

Photography: Javier de Paz García https://www.instagram.com/javierdepazgarcia/

Location: LA NAVE, Villaverde, Madrid / IFEMA Global Robot Expo

Date: April 2018

Site Area: 100 square meters

Material: 330 Lack Tables

+ Home Back Home. Proyecto expuesto en la selección On Residence en la Oslo Architecture Triennale “After Belonging” comisariada por Ignacio González Galán, Carlos Mínguez Carrasco, Lluís Alexandre Casanovas Blanco, Marina Otero Vezier y Alejandra Navarrete. Del 8 de septiembre al 27 de noviembre de 2016.

Foto: Luis Fernández-Galiano

Team with Mi5 arquitectos. 2006-2011. Teruel [Spain]

Underground Leisure Lair and Public Space / Guarida subterránea de ocio y espacio público
*Photography: Miguel de Guzmán (www.imagensubliminal.com) / Javier de Paz (www.estudioballoon.es)

[Eng]
In 1987 the remains of "Aragosaurus ischiaticus" were dug up and catalogued by a group of researchers consisting of Sanz, Buscalioni, Casanovas and Santafé at the town of Galve, in the province of Teruel. It was the first dinosaur to be found at the Iberian Peninsula.
Teruel's underground, turned into a tourist appeal by thematic parks such as Dinópolis, is full of discoveries that remind us the lost existence of a powerful life in the origins of the province. It's not surprising then that we have to return to its deepness to try to reactivate it.
Facing the existence of an obsolete and underused market building occupying most of the meagre public space of the nearly nonexistent Domingo Gascon Square (even if provided with a commemorative statue), the decision taken is that of demolishing this old structure (a very inflexible and exclusive typology) and introducing a huge volume of youth leisure activities on the underground, to revitalize and to foster Teruel's activity, while the old public square existing before the market building was constructed is regained. The public space and leisure centre project takes the expression of a buried Godzilla (fictitious Japanese monster appearing as a mutant dinosaur): a telluric element of contemporary and pop expression.

Team with Mi5 arquitectos. 2006-2011. Teruel [Spain]

Underground Leisure Lair and Public Space / Guarida subterránea de ocio y espacio público
*Photography: Miguel de Guzmán (www.imagensubliminal.com) / Javier de Paz (www.estudioballoon.es)

[Eng]
In 1987 the remains of "Aragosaurus ischiaticus" were dug up and catalogued by a group of researchers consisting of Sanz, Buscalioni, Casanovas and Santafé at the town of Galve, in the province of Teruel. It was the first dinosaur to be found at the Iberian Peninsula.
Teruel's underground, turned into a tourist appeal by thematic parks such as Dinópolis, is full of discoveries that remind us the lost existence of a powerful life in the origins of the province. It's not surprising then that we have to return to its deepness to try to reactivate it.
Facing the existence of an obsolete and underused market building occupying most of the meagre public space of the nearly nonexistent Domingo Gascon Square (even if provided with a commemorative statue), the decision taken is that of demolishing this old structure (a very inflexible and exclusive typology) and introducing a huge volume of youth leisure activities on the underground, to revitalize and to foster Teruel's activity, while the old public square existing before the market building was constructed is regained. The public space and leisure centre project takes the expression of a buried Godzilla (fictitious Japanese monster appearing as a mutant dinosaur): a telluric element of contemporary and pop expression.

EXHIBITION ON THE WORKS OF GABRIEL GARCÍA MÁRQUEZ

From 27 February to 3 March in Casa del Lector at Matadero (Madrid)

Concept: Barrabés Meaning / Think Big Factory
Design Exhibition: PKMN [pacman] Architectures
Digital Interaction Design: Tecné Collective
Videoartist: Romulo Aguillaume
Sound Design: Jose María Ciria, Julian Ávila
3D Print: Ultra-Lab

With the collaboration of Álvaro Restrepo and El Colegio del Cuerpo.

Sponsored by Telefonica and the Colombian Embassy in Spain, as homage to Colombia, the guest country for the international art fair arcoMADRID.

Cliente: VINTALOGY http://www.vintalogy.es/

Construcción: DYPSA

Fotografía: Javier de Paz García https://www.instagram.com/javierdepazgarcia/

Lugar: Vintalogy, Madrid. Calle Príncipe nº11, Madrid.

Fecha: Septiembre 2019.

Superficie construida: 150m2

Material: material cerámico de Grupo Díaz Redondo 3936 piezas cerámicas. https://www.grupodiazredondo.com/

Cliente: VINTALOGY http://www.vintalogy.es/

Construcción: DYPSA

Fotografía: Javier de Paz García https://www.instagram.com/javierdepazgarcia/

Lugar: Vintalogy, Madrid. Calle Barceló nº13, Madrid.

Fecha: Diciembre 2018.

Superficie construida: 300m2

Material: material cerámico de Grupo Díaz Redondo 3936 piezas cerámicas. https://www.grupodiazredondo.com/

+ All I Own House. Proyecto expuesto en el Pabellón Español “Unfinished” de la 15. Mostra Internazionale di Architettura – La Biennale di Venezia, comisariado por Iñaki Carnicero y Carlos Quintáns. Galardonado con el León de Oro de la Mostra. Del 26 de mayo hasta el 27 de noviembre de 2016.

During the Modern Movement, columns are stripped of any prominence in relation to their distinguished past. Any significant ornamental reference is eliminated from the column and it is reduced to a question of functional syntaxis. The column, which even loses its name after the Corbuserian term "piloti", becomes relevant only in terms of its structural and structuring capacity, a role imposed by modernity through the open plan. This formal and semantic reduction is questioned by Robert Venturi in "Complexity and Contradiction in Architecture" in 1966 and by Charles Jencks in "The Language of Postmodern Architecture" in 1977. For the latter, architecture must recover its semantic capacity as a language through the power of the metaphor. So, the column becomes the fundamental term bound to communicate those new messages that surpass, but at the same time include, the exhausted modernity. The hybridization and aesthetic complexity, the recovery and reinterpretation of history, the taste for the extravagant or the bizarre, the inclusion of the unspecialized public, the interest for the context or for the generation of new cultural references are some of those new messages for which the column becomes the fundamental means of communication based on a series of architectural strategies.

"The Free Style order, like the first Doric and Ionic order, or like most compound orders, are motivated by meaning. Newness is provoked by that willingness for meaning."[1](Jencks, 1982, p.110)

[1] JENCKS, Charles. Free Style Orders. En: Free-Style Classicism, AD Architectural Design Profile, 1982. p.110.

+ DORICAHHH. Bizarre Columns. Proyecto expuesto en la exposición “Producto Fresco” 2019 muestra del mejor diseño producido durante 2019 en Madrid. DIMAD. Matadero Madrid. Del 5 de febrero al 24 de marzo de 2019.

Education Hub is a project of Manifesta 12 Education made in collaboration with the University and Academy of Fine Arts of Palermo and the transport company AMAT. Education Hub is generously supported by DGAAP, the Contemporary Art and Architecture Department of the Italian Ministry of Cultural Heritage and Tourism.

Manifesta 12 Education Hub life cycle:
October 2017 – 1st workshop session with the students https://vimeo.com/251690788
December 2017 – 2nd workshop session with the students
January 2018 – 3rd workshop session with the students https://vimeo.com/252373973
January – June 2018 – Bus transformation works
June – November 2018 – Education Hub in action

More info: http://m12.manifesta.org

Manifesta 12 Education Hub life cycle:
October 2017 – 1st workshop session with the students
December 2017 – 2nd workshop session with the students
January 2018 – 3rd workshop session with the students
January – April 2018 – Bus transformation works
April – November 2018 – Education Hub in action

ENORME Studio is an architecture and design office based in Madrid and led by David Pérez, Carmelo Rodríguez and Rocío Pina. ENORME is best characterized by their radical approach to architecture, city and people. They design and build ARCHITECTURE PROJECTS based on industrial systems and typological innovation, as well as perform participation dynamics in the domain of city construction through their creative platform CIUDAD CREA CIUDAD and the creation of CITIZENSHIP BRAND IDENTITIES. Their aim is to foster alternative ways to examine urban issues and to motivate the creation of a proactive citizen culture. They design and apply TACTICAL URBANISM tools that transfer teamwork strategies and collective thinking dynamics into public and private space design and management. ENORME’s aim is to give the city back to citizens as an emotional, plural and relational space.

The ENORME Studio architects that Manifesta 12 is collaborating with on this project are Carmelo Rodríguez and Rocío Pina

Special thanks to Professo Viviana Trapani (University of Palermo, Department of Architecture) and to Prof. Cinzia Ferrara (Graphic Design Department, Academy of Fine Arts of Palermo).

Design: ENORME Studio http://enormestudio.es/

Collaborators: Elise Weegels / Derek Oliveira / Bennedikte Vefling / Catherine Grillo / Sofía Martínez

Construction: CARRSA + ENORME Studio

Client: Centro Cultural Conde Duque, Madrid.

Photography: Javier de Paz García (www.estudioballoon.es)

+ Be Flexible or Die. Conferencia en el coloquio Inspiración, Conexión & Creación organizado por FINSA en la Central de Diseño de Matadero Madrid, DIMAD. 4 de octubre de 2018.

+ Kurul. Mobiliario expuesto en la galería Rossana Orlandi en el FUORISALONE Salone del Mobile di Milano 2018. Del 9 al 14 de abril de 2019.

A través de las propuestas de dieciséis creadores, la exposición Outside the Box plantea una revisión del diseño emergente desde 2013 hasta 2018, a través de las Ayudas Injuve para la Creación Joven. Desde el diseño de objeto al diseño de moda, pasando por revistas o prototipos que se acercan a la ciencia desde nuevas ópticas, los autores cuestionan el porqué del producto, su uso, su fabricación y su relación con el entorno, abordando temas que interpelan a la esfera de lo político, cultural y social.

El recorrido está compuesto por trece cajas de embalaje de material artístico, rediseñadas a su vez como dispositivo museográfico por ENORME Studio, que muestran las piezas correspondientes a las ediciones de 2013 a 2016. Junto a ellas, tres intervenciones inéditas de la última convocatoria de 2017 y un vídeo con entrevistas a los artistas o equipos de diseño beneficiarios de las Ayudas complementan la exposición.

Artistas participantes:

Damián López

Irene Cano

Plutarco

Teratoma Productions

Venida Devenida

Marta Ferrer

Álvaro Carrillo + Paula Currás

Lía González

Silvia Fernández

Fernando Cremades

Sheila Pazos

Álex Ortega

María Alonos

Marta Ayala Herrera

Déborah López

Caliza Caliza

Letters to the Mayor: Madrid

September 29th – October 9th, 2016

XII Semana de la Arquitectura

COAM

#LetterstotheMayor @storefrontnyc

Letters to the Mayor: Madrid presents a collection of letters written by more than 50 architects, bringing pressing issues and new ideas to the desk of Mayor Manuela Carmena.

Letters to the Mayor: Madrid takes place as part of the XIII Semana de la Arquitectura, and is the 11th edition of Letters to the Mayor, a project initiated by Storefront for Art and Architecture in 2014.

This project invites architects to write letters to their mayors, initiating a dialogue between those who represent a city and those that build it. International iterations, organized in partnership with local institutions and individuals, bring the project to cities and towns across the globe. Each of the iterations share three common elements: an exhibition of letters addressed to the mayor, a Mayoral Desk and Architect’s Table, and a wallpaper that reflects ideas and issues unique to each city. The desk and table, as well as the wallpaper, are designed by local architects, artists, and designers, and reflect upon the role of the architect in the construction of the future of the contemporary city.

Letters to the Mayor: Madrid is curated by Moneo Brock and Enorme Studio.

Project: Picnictopia Festival Asalto 2018

Location: IES María Moliner, Zaragoza, España.

Developer: Festival Asalto http://www.festivalasalto.com/

Workshop leaders: ENORME Studio / www.enormestudio.es

Collaborators ENORME: Elpida Giannakou / Antoine Bourhis / Mathilde Jacquot / Lorenzo Gili / Xiyuan Zhang

Students and teachers from IES María Moliner + designers from Zaragoza

Video: ENORME Studio

Photos: ENORME Studio

+ Las Tres Marías. Proyecto expuesto en el Pabellón de Venezuela “Urban Forces” de la 15. Mostra Internazionale di Architettura – La Biennale di Venezia, comisariado por Nelson Rodríguez, Miguel Braceli, Rolando Carmona, Marcos Coronel, Alejandro Haiek, José Naza, Maximillian Nowotka, Gabriel Visconti. Del 26 de mayo hasta el 27 de noviembre de 2016.

Team with Oficina Lúdica. July 2014. Pinto Salinas. Caracas, Venezuela.

A social context: Pinto Salinas, a district greatly affected by violence and micro-trafficking, one of the five areas selected for carrying out the communitarian construction of spaces for life and peace.

A physical context: a plot in an excellent situation regarding the district’s structure which should naturally become a remarkable condenser of public uses but that is, simultaneously, a neglected space due to water filtrations from illegal and unattended facilities and due to garbage pilling up in relation to damaged garbage containers.

Project: Taller del Desierto / Urban SPA
Location: Parque Urueta, colonia Obrera. Chihuahua, México.
Developer: ISAD [Instituto de Arquitectura y Diseño de Chihuahua] / www.isad.edu.mx/
Workshop leaders: PKMN Architectures / www.pkmn.es // Memela / www.memela.mx
Local advisors: Juan Castillo / Miguel Heredia / Miguel García
Workshop participants: Alejandra Álvarez / Raúl Barrio / José Pablo Bezunartea / Lucía Oppenheimer / Begoña Castañón / Ana Gaby Castro / Celina Chávez / Marigel Contreras / Marlene Esparza / Brissa López / Brenda Godínez / Karen Danae González / David González Bouche / Aldo Ibarra / Daniel López / Valeria Marrufo / Alicia Ortegón / Rodolfo Prieto / Mariana Ramírez / Erick Rentería / David Rico / Richo Rodríguez / Marce Rodríguez / Marión Rodríguez / Ana Cristina Simón / Jorge Téllez / Paco Vázquez / Yesselin Yáñez / Erick Benavides / Carla Daniela Martínez / Mike Rodríguez / Claudia Ávila / Steph Flores / Uriel Olivas / Xenia Carbajal / Gil Castro / Mariana Carrera / Iris Salgado / Cristina Aguayo / Rebeca Hinojos / Sara Sofía González / Daniela Puente
Supporting Associations: Impulsando Capacidades / Fundación Abien
Video: IMPLAN Carlos Reyes, Mauricio Rey / PKMN
Photos: Taller del Desierto / Taller del Desierto / Bieno Jiménez / Nikola Anakabe

+ Las 3 Marías. Junto a Oficina Lúdica. EXPORT. ARQUITECTURA ESPAÑOLA EN EL EXTRANJERO. Fundación ICO. Madrid. Del 24 de febrero al 17 de mayo de 2015.

Team with Taller de Casquería. 2013/2014. Paisaje Urban Tetuán. Madrid

#HYPERTUBE is one of the actions that was included on the Tetuán District CityScape Quality Improvement Program, a pilot program that has been developed by an open work group including local cultural agents, politic representatives and neighbourhood representatives and agents through a series of periodical meetings carried out throughout 2013 and managed by the work group itself.

Client: RESAD Real Escuela Superior de Arte Dramático de Madrid

http://www.resad.es/

Building process: ENORME Studio + comunidad de la RESAD

Photography: Javier de Paz García https://www.instagram.com/javierdepazgarcia/

Place: Av. de Nazaret, 2, 28007 Madrid

Date: Abril a Octubre 2018.

Client: Ayuntamiento de Alcázar de San Juan
Photography: Javier de Paz García [www.estudioballoon.es]
Builder company: Construcciones Gómez SL
Carpentry: Rivas Sánchez Carpinteros.
Metalwork: Sdemetal
Date: Jnauary/June 2015
Location: Alcázar de San Juan, Spain.

Client: Pilar y Gerardo

Photo & Video: Javier de Paz García www.estudioballoon.es

Carpenter: Carpintería El Fuster

Engineers: CARRSA

Elements and Materials:

Herrajes del mobiliario Häfele Spain www.hafele.es

Tableros de madera FINSA www.finsa.com

Pavimento cerámico de gran formato de Levantina www.levantina.com

Mural y jardines verticales, Cónica Studio

Date: Enero / Diciembre 2017

Place: Madrid

NETFLIX Amazing Interiors link: https://www.netflix.com/es-en/title/80184067

Client: Yolanda R. Pila [www.errepila.com]
Photography: Javier de Paz García [www.estudioballoon.es]
Video: PKMN [pacman] + Daniel Meré
Structural Engineer: Mecanismo SL [www.mecanismo.es]
Facilities Engineer: Alberto Espinosa [www.certenergy.es]
Builder company: Rusega SL
Carpentry: Alfredo Merino Caldas. Cantimpalos
Slide systems: Hepcomotion [www.hepcomotion.com]
Ceramics: Mosaic del Sur [www.mosaicdelsur.com]
Date: Jan-Aug 2014
Location: Madrid, Spain.

1st Prize Restricted Competition // June 2013
http://www.pkmn.es/EKOCENTER-COMPETITION

1st Phase Accomplished // Nov 2013 – Jun 2014

I AM RECYCLED consists on the refurbishment of an industrial building sector in Arrasate (Basque Country, Spain). The building, constructed in 1928, was a part of ASAM steel industry. Thanks to this renewal the structure will extend its life span to be used as a recycling center, reuse workshop and second hand proucts sale, 2.568 square meters managed by Grupo Emaús Bidasoa.

I AM RECYCLED outlines the importance to preserve the identity of the original reinforced concrete structure as well as its industrial preexistences. A series of low-cost strategies are developed as a way to make it possible that a new activity can be established, accompanied by the appearance of a new contemporary identity for the building.

Stairway to hitzak es un dispositivo lúdico-pedagógico capaz de equipar y al mismo tiempo resignificar el espacio donde se inserta. Está diseñado para facilitar y promover el intercambio y generación de nuevo conocimiento especialmente entre niños y familias diversas. Para ello se compone de varias capas y estrategias de interacción, a través de su capacidad transformable:

En su posición cerrada es una gran grada colectiva donde los visitantes de Koldo Mitxelena tienen un espacio de uso espontáneo, donde hacer un alto en el camino, charlar con otros, escalar, jugar, leer o ver la proyección de un documental. Se plantea como un prototipo a microescala con la intención de testear nuevas maneras de usar los espacios de la futura e innovadora biblioteca, potenciando la interacción y la relación lúdica e intelectual entre los futuros usuarios del espacio.

En la sala aparece como un volumen suave, sinuoso, sin esquinas, sin lados principales o secundarios, sin ángulos pronunciados. Se trata de un cilindro perfecto, un volumen de espejo tridimensional que refleja y proyecta todo lo que tiene en su entorno próximo, desdibujando la base de la grada colectiva fabricada en corcho, y generando un efecto casi de escalera flotante hacia el cielo o en nuestro caso “a la palabra”, tal y como Led Zeppelin tituló sus ocho minutos de obra maestra “Stairway to heaven”.

Al igual que la obra musical, el dispositivo tiene la capacidad de desplegarse y descomponer en tres piezas compositivas únicas y equipada, proporcionando los elementos básicos de trabajo que Koldo Mitxelena necesita para desarrollar workshops creativos, encuentros espontáneos o actividades pedagógicas programadas, construyendo el contexto necesario para re-descubrir de manera colectiva el papel de la palabra en nuestro futuro más próximo.

“There’s a lady who’s sure all that glitters is gold / and she’s buying a stairway to heaven When she gets there she knows, if the stores are all closed With a word she can get what she came for.”

“Hay una dama que está convencida de que todo lo que brilla es oro y está comprando una escalera al cielo. Cuando llega allí, sabe que si todas las tiendas están cerradas con una palabra ella puede conseguir lo que vino a buscar”

+ Carmelo Rodríguez como parte del equipo curatorial. THE COMPETITIVE HYPOTHESIS. Comisariada por Adrian Lahoud. Storefront for Art and Architecture, New York. USA. Del 22 de enero al 14 de febrero de 2013. Društvo Arhitekata Zagreb. Marzo de 2013.

¿Te imaginas que la ciudad de Madrid fuera concentrándose más y más, liberando espacio verde a su alrededor?

¿Te imaginas que la ciudad de Madrid estuviera rodeada de exuberantes parques y jardines donde de nuevo habitan juntos osos y madroños?

¿Te imaginas que la ciudad de Madrid fuera auto-suficiente energeticamente y su movilidad totalmente sostenible?

Si te lo imaginas, ayúdanos a construir con LEGO una maqueta del Madrid del futuro, de nuevo un lugar donde osos y madroños cohabitan junto a nosotros.

1st PRIZE Transitarte Competition
1ER CONCURSO ONLINE DE ARQUITECTURA. TRANSITARTE.
Ministerio de Educación Cultura y Deporte
Subdirección General de Promoción de las Bellas Artes
Curated by Ariadna Cantis www.ariadnacantis.com
Collaborators: Alia Sabry / Ana Arana / Carmelo Rodríguez Rojas / Isabel Rodríguez
Photos by Javier de Paz García www.estudioballoon.es

+ info about the competititon: http://www.transitarte.es/

Authors: ENORME Studio // www.enormestudio.es

Builders: TXP Todo X La Praxis // www.todoporlapraxis.es

Collaborators: Rio Park / Arantxa Satrustegi / Jaime Calahorra / Simon Geneste / Matteo William Salsi / Giovanni Zabanoni

Client: Ville de Rennes

Photography: Lea Waeytens / Sarah Berthet-Nivon

Date: Marzo 2016

Place: Rennes, Francia.

2012-2013. “User’s Guide” Exhibition, Centro Centro, Madrid [Spain]

Turning Madrid Skyline into recreational-participatory facilities.
Skyline iconicity is most frequently used as an easily recognizable motif suitable to decorate t-shirts or souvenirs, a novelty to lure some unprepared tourists fed up with Cibeles and statues. John McHale was quite clear when he stated that millions of copies of Parthenon reproduced in small scale and sold all over the world were much more important than the original historical building in itself. It’s all just urban marketing, cities losing their minds trying to own the biggest one…

Madrid plays this game of urban identity definition through the image of very large buildings protruding above city skyline to be seen from far away. In spite of not being clearly recognizable from any outside location, Madrid not only shows off its traditional skyline, but also has increased it in recent years by the erection of for towers, a symbol of “the city that could have been better (but it wasn’t)”.

Authors: ENORME Studio // www.enormestudio.es

Builders: TXP Todo X La Praxis // www.todoporlapraxis.es

Collaborators: Rio Park / Arantxa Satrustegi / Jaime Calahorra / Simon Geneste / Matteo William Salsi / Giovanni Zabanoni

Client: Ville de Rennes

Photography: Lea Waeytens / Sarah Berthet-Nivon

Date: Marzo 2016

Place: Rennes, Francia.

BUILD ME! The PIER of TeamLabs.

Enorme Studio / TXP Todo X La Praxis / TeamLabs

BUILD ME is a collaborative work system, a compilation of co-design strategies, a rapid-response work-group to pursue a common purpose… but above all BUILD ME! is an attitude to take up the challenge of building collectively a unique and unrepeatable object, a singular process.

+ Picnictopia. Junto a Ciclostile Architettura. YAP YOUNG ARCHITECT PROJECT 2014. MAXXI Roma. Italia. Del 26 de junio al 21 de septiembre de 2014.

+ Picnictopia. Junto a Ciclostile Architettura. YAP YOUNG ARCHITECT PROJECT 2014. MOMA Museum of Modern Art, New York. USA. Del 27 de junio al 7 de septiembre de 2014.

Diseño del taller: ENORME Studio http://enormestudio.es/

Universidad: ESNE Escuela Universitaria de Diseño, Innovación y Tecnología (Grado Superior de Diseño de Interiores) http://www.esne.es/

Material cerámico: Grupo Díaz Redondo http://www.grupodiazredondo.com/

Fotografía: Damián Pasero

Participantes: Paula Carrasco / Ismael Diaz-Mingo / Rocío Elipe / José Manuel Fernández / Gema Fort / Raquel Gallardo / Paula García / Miguel García / David Herrera / Eva Iglesias / Patricia Jiménez / Teresa Lubiano / María Luz Maqueda / Silvia Marco / Marcos Monasterio / Mónica Nieto / María Pérez / María Ramos / María Salán / Irene Tejeda / Carlos Vivó

+ Be Flexible or Die. Conferencia en la jornada How Can Social Practice Change Cultural Initiatives? de MANIFESTA12. Teatro Garibaldi, Palermo, Italia. 19 y 20 de octubre de 2018.

+ HINCHABLES. LA GALERÍA. Arquitectura, Arte y Diseño Español. Carmelo Rodríguez comisario asociado junto a Carmen Blasco de la exposición. Galería de exposiciones de los Nuevos Ministerios. Madrid. Del 16 de noviembre al 23 de diciembre de 2017.

Mundo Neumático

Taller de ENORME Studio para el festival Accionando del ISAD Instituto Superior de Arquitectura y Diseño de Chihuahua, Chihuahua, México.

Asistentes locales: Fede Campos / Willy Villanueva

40 alumnos/as del ISAD

Home Back Home. Caso de estudio_01 Dune Claudio

Worhshop desarrollado en colaboración con Instituto Do It Yourself. October 2014.

Ana Mombiedro has come back to her parents' house after various research stays at Finland and USA. She has decided that Madrid is going to be the place to finish her PhD Thesis on neuroscience and architectural space, that also means that she'll have to colonize a portion of the living room as she doesn't have a room of her own anymore.

Sep 2012. Tetuán. Madrid [Spain]

Prototype1: Madrid Tetuán. Sun - Shadow - Time - Temperature in public space.
As a matter of fact our increasing ability to have access to a higher level of information in real time has modified our way to do some daily things, such as the way in which we relate to each other or do the shopping.
There are many other questions of public concern that are paradoxically managed by specialized technicians, this practice becomes particularly significant when we are dealing with data and information related to design, evaluation and management of public spaces in our cities.
An increasing speculation with the Smart City concepts has sparked off hopeful expectations with the promise of collective participation in the processes of design of cities. These expectations are quite often accompanied by a certain sense of frustration as a result of the difficulties in technological expertise needed to reach a successful development of these tools, as well as the lack of an effective and visible impact on the landscape of urban environments, of a visualization of the effects produced by critical and collective actions and reflections that are presumed to derive from its performance.
Analogical Smart Cities proposes an analogical re-interpretation in real scale of digital tools that are often used to visualize information related to public spaces design and management in cities. This re-interpretation consists on the physical drawing of the information and data on the surface of the elements referred to. This action would be carried out by the citizens themselves.

2012. Campo de la Cebada. Madrid [Spain]

1 neighbour <-> 1 chair.
Transformable urban bench for Campo de Cebada.
A place and object to watch, to work, to eat in, to play, to rest, to change. Build through personal identities from La Latina quartier in Madrid.

September 2009. Gran Vía, Madrid [Spain]

The graphical design of an event turns into action of the proper event, in content of the event...
[It indexes: Nike's advertising that uses the own advertising format as expression and materialization of the own content and brand image]
We are expert neither in economy, nor in business management ... most of our projects is deficit (but there will be some reason for which we are here)... It is possible that there are explicable parts of our work from an optics near to the marketing (or connectable), detecting and developing tricks that we have been discovering brings over of topics as: how to enter on a market, how to generate favorable contexts, how to manage the ideas and production of a project, how to provide him with creative appreciations, how to report, to connect and to re-insert a project with the reality.

Transportable, industrial and low-cost…

How to build a work hangar with 15 High Cube Containers?

The work with containers is only often a piling up, organization and customization problem that produces a series of projects with a very diverse external appearance but with the same internal space features and always connecting with the intrinsic container geometry, its framework and limitations.

When I was a child, I had always dreamed about catching a mouse with a lifted for a stick cardboard box (In the same way that Coyotes tries to hunt Roadrunner)...

INOPIA UP had appeared!

"Fake Festen: Tomatina": la fiesta popular más loca y fresca que tendrá lugar este verano en Madrid es una copia.

"Fake Festen" es un proyecto de clonado y recontextualizado de fiestas folklóricas y tradicionales en espacios improbables, poniendo en juego y en crisis la distancia que separa alta cultura y cultura popular o también la idea de ciudad-marca basada en la mercantilización del patrimonio ciudadano respecto a las industrias culturales y turísticas. "Fake Festen" reivindica la relación, lo lúdico y la identidad local como combustibles del "hacer ciudad", y lo hace desde el encuentro y la diversión.

La primera edición, Tomatina*, se ha realizado el 23 de agosto de 2014 en Matadero-Madrid, como fake de las fiestas populares de Buñol en las que cada año, y no es potlach, unas 20000 personas (se) lanzan durante una hora unos 150.000 tomates transportados en camiones por las calles del pueblo.

Plan E[xtinción]

Rural dissapearing identity project. Cienfuegos, Asturias [Spain].

November 2010

Cienfuegos, Asturias [Spain]

Temporality: permanent

Client: Becas Al Norte [El Comercio]

Participation: Quirós City Council+ 6 inhabitants)

Formats: One recycled “Plan E” Sign (4 x 3meters) .

Media: local press x 3, local TV, facebook, blog.

Nov 2013. Lisboa. CLoser Closer Architecture Triennale
“SUPERHATCH” is a project developed by PKMN and curated by Ariadna Cantis inside the third Lisbon Architecture Triennale as associated project of Close, Closer

SUPERHATCH proposes an ANALOGICAL RE-INTERPRETATION in real scale of a digital graphic tool: Cad Hatch Patterns.
Hatch Patterns don’t have a scale though they’re used to represent the real materials that are used on public space design in cities. The re-interpretation process that we propose consists on the physical drawing with plastic tape of some of these hatch patterns superimposed to surface of a square in Lisbon. This square will be a very crowded place in the center of Lisbon: Praça “Igreja de Sao Domingos”.

September 2010. Madrid [Spain]

"During The White Night 2010 thousands of Madrilenians became Alberto Santander, Madrilenian of the Year, an anonymous citizen that turned into the protagonist image of the city for one night through the presence of thousands of doubles of himself, a masked crowd that changed Madrid's urban landscape".The idea of "turning" an anonymous and individual citizen into a protagonist that represents a whole city derives from some already tested formats such as people's choice awards (democracy?) and participative urban dynamics (whether they take place on the street using a mobile photo boot that travels over different areas of the city or by virtual means such as an open website), as well as contemporary social traumas such as the fifteen minutes of fame predicted by Andy Warhol or the adoration of imaginary characters (we come up with fictions about famous people that play the lead roles of the events in which we are mere spectators).The quest for the "Madrilenian of the Year" is not an attempt to generate a summary of identities, a partisan average, a standard size or a model (these are frequently the goals of most existing prestige brands), but to make an anecdotic citizen become the representative image of the identity of the city of Madrid. We are not looking for another fictitious image of superiority (whether it is an Olympic hand or a Cultural full moon) to represent us, but a real person with a concrete identity: Alberto Santander Martínez.

October 2008. Cáceres [Spain]

Cáceres has a singular cultural heritage and a unique historic district which is never used by its citizens in an active way: they are bound to go to a big music concert or to a theatre play, because these are the kind of events which are supposed to take place in an urban setting that has renounced to use its space for any activity not suitable for touristic use, and whose buildings have been turned into museums and foundations.Cáceres creates Cáceres turned 2016 images of 2016 Caceres' citizens into a re-created artificial landscape, an urban intervention made up of images in different formats and scales: real scale figures populating the streets, a mega-citizen protecting the city and merchandising objects (badges, balloons, t-shirts …) that were given out during a participatory event of identity interchange that recovered the historic district of the city as a place were citizens can became actors and not only spectators.

AUGUSTA EMERITA

Roman Recycled Style

Augusta Emerita was a Roman city founded in the year 25 a.C. to accommodate the licensed soldiers of the legions X Gemina and V Alaudade. Now that city is Mérida. A new edition of the Ibero-American Social Work Congress was held in the city last October.

ENORME Studio we have designed the scenography of the Congress with a Roman Recyclable style. All the counters are reinterpretations of the altars where blood sacrifices were made, the stands of the sponsors small fronts of classical temples and the rest area a seat columns reproducing 1/1 scale of the columns of its hexastyle portico, with base of foam rubber imitating granite and shaft from cardboard tubes.

All the scenography was made with MDF wood planks of 19mm thickness and 60mm diameter cardboard tubes that will be recycled in the workshop "Fabrikando, Laboratory of experimental manufacturing in Self-construction and Reuse" that will be held during the month of November in the facilities of LaFábrika detodalavida, endorsed by the GRRR platform (Management for the Reuse and Redistribution of Resources).